Local Physician's first novel more medical than suspense
by James Reid
What is it about Doctors and Lawyers that leads them to become thriller writers?
Why do these two occupations seem consistently to lend themselves to producing
fiction. If you don't include the various examples of law enforcement officer,
I would hazard a guess that more suspense thrillers have been written involving
these two categories of employ than all others combined. Perhaps authors and
readers are so "drawn" to these occupations because they deal with
matters of life and death; perhaps because these professionals engage ethical
dilemmas as a part of their daily routine. With Lie Still, David Farris, a Portland
doctor of pediatric anesthesiology, enters the realm of physician turned writer.
Lie Still is marketed-right on the front cover-as a Medical Suspense. While
I would not presume to question this description as false, I will warn: don't
read this novel expecting Robin Cook or Tess Gerritsen. There are no pharmaceutical
companies testing Drugs on unknowing victims, or engineered viruses run amok.
Not a single organ is harvested from the poor to give to the rich. The suspenseful
elements of Lie Still all revolve around personal and ethical dilemmas. Because
of this, in many ways Lie Still reads as very believable.
Lie Still is written entirely in first person, and reads as if it were the
autobiographic memoir of a midlife doctor looking back upon his career and
trying to explain how he came to the unfortunate state he is in. There is
a conversational style to the writing, as if Dr. Malcolm Ishmail, the protagonist
of the novel, is speaking to a new friend. The medical jargon is kept to a
minimum. Farris even goes so far as to explain that Hollywood writers use
more jargon than doctors do.
Lie Still consists of two related stories and a collection of vignettes
all featuring the fictional Dr. Ishmail. The related stories both take place
about ten months apart, during his attempt to finish internship. The vignettes
take place over the next seven years, and revolve around his life as a disgraced
itinerant physician in small town emergency rooms. The novel opens during
the second story in the time line, on what is described as 'Henry Rojelio
day one'. Henry is a young man with a history of asthma and malingering. As
the book begins, Henry's typical ER visit has taken a downturn-Henry has 'turned
blue'. He goes into cardiac arrest and is transported to a larger hospital.
From here, we find out, things truly begin to fall apart for young Dr. Ishmail.
Jump ahead nearly seven years later and Dr. Ishmail receives a package related
to the events of the tragedy. The remainder of the book reads as if it is
Ishmail's telling of what happened.
The problems which eventually lead Dr. Ishmail to relate his tale to us,
begin with an affair with Dr. Mimi Lyle, an associate professor and Dr. Ishmail's
instructor during his neurosurgery residency. The ethics are questionable,
but the sex is good, described by the author somewhat graphically. Real problems
arise when Ishmail becomes aware that Dr. Lyle is a less than competent neurosurgeon,
and places the welfare, and even the lives of her patients, at risk when she
cuts into their brains. Dr. Ishmail becomes increasingly entrenched in the
ethical dilemma of his situation.
People with an interest in the in-and-outs of daily life in a small Southwest
emergency room will find this novel fascinating. Lie Still gives a strikingly
different view than that presented by "ER." The short vignettes
of emergency room situations were the most interesting aspect of this novel
for me. Dr. Farris points out in an endnote that most of these tales come
from his own experience. I would recommend this novel to anyone interested
in emergency room stories, and questions of medical ethics.